I’ve always wondered why music like the Classical period has so many chord progressions going on whereas a modern dance track can practically be in one chord the entire time. I remember studying a book called “A Practical Approach to the Study of Form in Music” by Peter Spencer and Peter M. Temko which spoke about music being organized by “structural phenomenon.” These phenomenon included a myriad of things such as melody, rhythm, harmony, register, key, tempo, dynamics, etc. For some reason humans have a tendency to give strong preference to just a few of these, namely melody and rhythm. Just look at any “fake book” and you can find a song or a composition boiled down to a melodic line, chords, and rhythm.

But as we venture into the world of pop, producers—which is really just another name for composer—look to create entirely new sounds, not just melodies and chord progressions. The listener’s ear is now directed to, perhaps, how a particular synth is sculpted with EQ, reverb, and side-chaining techniques or how a drum set is shaped and made to groove with compression. I think that since there is so much tone manipulation occurring that it would overload the senses to include complex counterpoint or a crafty chord progression. I couldn’t imagine an EDM track full of the kinds of melodic and harmonic devices that Bach employed. Who knows, maybe someday someone will come along and change that.

TagsMusic Theory, Pop Music, Classical Music, Music Production